While not a huge comic event the story in Doctor Strange, Master of the Mystic Arts #41 (June 1980) was one of the those issues where you ask yourself what the hell happened at the end of the story.
Written by Chris Claremont (first clue) with art by Gene Colan, issue #41 was the finale to an multi-issue epic featuring an insane Baron Mordo, who was trying to destroy all of creation. It was a story that had a cross-over into Man-Thing's own title and had sub-plots reaching back nearly a year.
Mordo had kidnapped friends of Dr. Strange and was feeding them to a demon that would open the Gates of Uncreation. This grisly scene of a girlfriend of Doc's getting her flesh stripped off is courtesy of Gene Colan.
Strange is then motivated by the death of his lover to do something (he sorta stood around while all the other people were eaten by the demon), screams NO! and he beats up on Mordo. Enraged, the Doc is about to kill Mordo in revenge when Claremont resorts to Comic Book Cliche #1, that of Situational Moral Superiority.
Then just as the the universe is about to be unmade, Dr. Strange is simultaneously weaving spells to save creation while anchoring the Man-Thing with the mind of Ted Sallis to reality and Baron Mordo is creeping up behind the Doc to dash him in the head with a rock...this happens:
What went on here? Was production rushed? Did everyone just give up? Is it Claremont or the Editor? If no one cared enough about the story to give it the ending it deserved then they should have been creative enough to handle it like Warren Ellis did when he took over Strange for a time. In discarding the Vishanti War storyline that had been promised for several years Ellis simply wrote the Doc cleaning himself up in the bathroom after returning from another dimension, musing to himself "Well, that didn't take as long as I thought it would." Awesome.
Claremont then makes sure that after we fans are treated as if we were something unpleasant found on a shoe that we get a happy, sugar-coated ending and a return to the status quo.
There was a joke back when Chris was writing for Marvel on all cylinders that everything he wrote sold well except for Spider-Woman. I think it was around 1980 and this issue of Doc Strange that I started looking at his work with a more critical eye and not just a fanboy consumer, even though i still enjoyed most of what he wrote. I still consumed comics by the longbox, buying titles because they were fun. It wasn't until the 90's that I really felt like I was throwing money in the street buying comics and except for the occasional favorite character pretty much stopped all purchases.
So this is what I think was the real climax to the story in Doctor Strange #41.
I swear I posted a comment about this days ago.
ReplyDeleteOr was that just a dream?
The Gates of Uncreation. =facepalm= You know, if I lived in a universe with a self-destruct button I would spend pretty much all of my time either making sure that button damn well never got pressed, or else applying for a passport to whatever universe Richie Rich lives in. At the VERY LEAST, I would not put a DEMON in charge of the Gates.
ReplyDeletemight not have been claremont's fault. could have been the artists... didnt finish in time, or spilled coffee on the final page.
ReplyDelete