I Command Thee, Fellow!

About a week ago my YouTube account was 'permanently disabled' due to a complaint of copyright infringement by DashGo/Audiobee, a company engaged by Krofft Entertainment to market their product to and protect from websites and social networks.

Don't get me wrong. I come down on the side of the creator when it comes to copyright infringement and theft. Back in the early 90s I supplemented my income through creative works and it irked me no end to not get paid for what I did. I got ripped off by creeps and grifters enough that I could see the big picture even then. I don't really disagree with what the various industry organizations do to pursue the bad guys but the perception is they pounce on goofy kids and old people who don't quite grasp computer technology. They rarely seem to be publicly successful with going after the people burning hundreds of DVDs and CDs and selling them out of the trunks of their cars in parking lots or from underground websites that charge for access or downloads without renumeration to the creators.

Prior to the account being disabled YouTube sent me a message letting me know that a short clip I had used of a particularly nightmarish episode of H.R. Pufnstuf (here) had been removed due to a notice filed by DashGo/Audiobee. The next day I discovered my account was disabled due to the most recent complaint. Apparently, this was the third violation of my Terms of Service agreement. The first was when I posted a 'Sleestaks in the Library' clip, the second a comparison of MASH and Stargate. I didn't protest the the first complaint though I thought it silly as there were hundreds if not thousands of the Sleestak clips yet available that remained all over video sites that are still there to this day.

For the second complaint I filed a counter-notification as I considered the short clip comparing similarities between an episode of MASH and Stargate: Atlantis fair-use and for the purposes of critique and review. I never heard back and didn't care enough at the time to pursue the matter. Not hearing back from mega-companies is not all that unusual. Years ago I was once the recipient of a DMCA notice about some art that I had personally created and posted at a forum. After the warning I let them know I was the creator and owner of the image but I never heard back from the company that sent me the notice. I figured ignoring the little guy was business as usual and expected I would continue to be ignored and the matter dropped or my account would be deleted in error, which I would then protest or make the decision to go elsewhere.

I have read horror stories concerning the relationship between YouTube customer service and users who have had their accounts disabled and so far my experience has been a positive one. After my account was disabled I filed a counter-notice to the DashGo/Audiobee claim under Fair Use. YouTube responded quickly to my emails, explained what was going on and how to restore my account. They have not stopped me from creating a new account. They also let me know that they can't find any counter-notices filed by me, but I wasn't really surprised at that. Those who enforce copyrights very likely ignore hundreds of counter-notices a day and it isn't the responsibility of YouTube to follow up on them. If I don't hear back in a few days I'll file again.

While I received regular communications from YouTube (if not resolution to my favor) DashGo/Audiobee is a different story. I have contacted them via email, their blog and via the counter-notification and they have yet to respond, which isn't saying they are not going to. Then again it is their prerogative if they respond at all. They feel they did their job, which is taking down infringing material from the web and protected their client's interests. Reversing their decision may set a bad precedent and their goal is to market to the web and social networking sites, which presumably means via revenue and not handing out stuff for free.

Now where I differ with what DashGo/Audiobee is doing in my case is that once again, not only is the idea of fair use not being considered but they have gone after a fan, not a pirate who is damaging their bottom line. It is hardly a secret that I am a fan of the Krofft characters, particularly The Land of the Lost. My entire online persona is based on one of the characters and anything I post about them is out of appreciation. It is just ridiculous to me that DashGo/Audiobee had my short clip removed from YouTube when entire episodes of shows remain online and unchallenged for years at various video streaming sites. Seems a bit random.

Furthermore, as with the MASH/Stargate: Atlantis video, the Pufnstuf clip was adapted from media I personally own and not ganked from other sources. I feel like I am being punished for saying something is awesome.

So what does this mean?

The actions of DashGo/Audiobee, however well-intentioned on the part of their business and their client, has for me sucked the enjoyment out of anything Krofft-related. Not that putting up something Krofft-centric was a daily event but I posted when the mood and muse rapped me upside the head. So it may be a while before I post anything about their characters or shows. DashGo/Audiobee has less protected intellectual property than successfully discouraged another fan from giving a damn about something.

This is a strategy which I doubt would be successful in a business but seems common among such firms that it makes one wonder if alienation of a demographic generates such a steady revenue stream that it is an important part of any business model. Let's face it, the value of the Krofft stable of characters has been decimated, possibly irreparably or for at least another ten years, by that horrible 2009 Land of the Lost movie. The Krofft franchise needs all the positive fan promotion they can get and they just discouraged one amateur media outlet that gave them regular free exposure.

So what have I learned?

Maintaining several media hosting accounts is a good idea. Keep the personal videos and photos you want to share with friends and grandma separate from those you use in a "professional" manner.

I kept my blogging-related and personal videos hosted in one place because I never believed someone would really have a problem with posting a short clip giving what amounts to free advertising. If I received notice that they did, civil discourse would work everything out in the end. I have most of my videos archived and I could easily replace them via other sources if I felt like taking the time but a few personal ones are gone for good. They will only be recoverable unless YouTube restores the account and that can only happen if DashGo/Audiobee agrees with my assertions of fair use and allows them do it.

Updates to follow, I am sure.

Stargate: M*A*S*H-lantis

For those too young to have seen the show in it's first run, M*A*S*H was a powerhouse of Thursday television night for over 11 seasons, based on the hit movie of the same name. The show was a dramatic comedy about the staff of a mobile army field hospital in Korea during the 1950s. The show exposed the sometimes ridiculous and more often terrible effects of war. While set during the Korean conflict, the film and television show is considered by many to be an allegory for the Vietnam war, which was fresh in the public consciousness during the life of the show. The show is still being broadcast in syndication and is available for purchase on DVD. "Dreams" was an episode of that seminal television show that was initially broadcast on February 18, 1980. It was generally well-received for it's anti-war message and is fondly remembered by fan of the show for it's stark emotional portrayal and the effects of the conflict on people, both military and civilian. In "Dreams", the hospital staff endure various nightmares as they attempt to come to grips with the horrors of war and the traumatic disruptions to their personal lives and psyches. M*A*S*H was not the first to explore this plot device and was not the last, as it is a handy way to explore characterization and give depth to a story. The "Nightmare" plot is one of several common and easy story devices used over a wide range of media. Many examples can be found to have been utilized time and again over the years in various print, comic book, movie and television stories. Another familiar story device is that of enemies being locked or trapped someplace together, who later come to a grudging understanding of each other, though usually the status quo of their mutual enmity returns by the following episode or chapter. The recycling of the "Nightmare" plot was baldly evidenced in the October 19, 2007 episode of Stargate: Atlantis, "Doppelganger". Stargate: Atlantis is not the most original show, being somewhat derivative of the final seasons of Earth: Final Conflict given the similarities of the predatory villains. But I like the various Stargate series and SG: Atlantis it has a sense of humor about it in the Been there, Done that portrayal of recent addition Amanda Tapping to the show as Colonel Sam Carter. What is most disappointing as a fan is that the recent episode of SG:A is unoriginal and very similar to the M*A*S*H "Dreams" episode from start to finish. Several of the dream sequences were even in similar settings (namely, the water sequences of Nurse Margaret O'Hoolihan and Scientist Rodney McKay and the military personnel in a hospital setting). The episodes are similar enough that one could easily label it a direct rip-off and even though the basic premise of each show is similar (military personnel in a foreign setting), and it was clearly inspired by the M*A*S*H episode. It would be too charitable to call this episode of SG:A an homage to the war drama. I prefer my Science Fiction to be a bit fresher in practice and this episode came off as formulaic at best. If you have the means to do so and a little time I urge you to watch the two episodes in their entirety for the geek of it.