Lady, That's My Skull: disney

Thursday, September 13, 2012

No More Ducks

Either the fair use concept didn't exist then or it wasn't worth the fight against the Disney legal team even for the low-resolution photocopied image reproduction of the time. The Barks Collector was a good and well-researched fanzine.

From The Barks Collector #10 (1978).

Thursday, November 25, 2010

Happy Thanksgiving in 2010

Walt Disney's Comics & Stories #15 (Dec 1941)

Walt Disney's Comics and Stories #15 (December 1941). Art credit Al Taliaferro.

Since a few people asked what the deal was with the cover because the gag had little context, here is the original cartoon that inspired it as reprinted from the daily newspaper comic strip for Walt Disney's Comics and Stories #12 (September 1941).

Wal Disney's Comcis & Stories #12 (Sept 1941)

Tuesday, September 01, 2009

My entry in what is sure to be a very long week of bad Marvel & Disney gags

The news that the Disney Company is buying Marvel Comics and their stable of characters was met by fans with various cries of alarm, worry, anger and shaking sobs. I don't know, I'm kind of looking forward to the epic "final" battle between Tigger and Logan. If memory serves, Tigger has a healing factor that just won't quit and he may be Logan's long lost Great, Great, Great Grandfather.

There have been worse cross-overs.

Saturday, August 08, 2009

Not shown: Nursing bottle filled with cola

A long time ago someone at Disney had the great idea that old American folk tales done in an animated style would make a great movie. The result was the 1946 live action and animated film Song of the South. Unfortunately, Hollywood and America of the 1940s was hardly a positive example of racial sensitivity and the execution of the Uncle Remus tales the film was based upon was, in hindsight, terribly managed. The main and wholly accurate complaints with the film is the depiction of African slaves as being happy, content and grateful for their subjugation. Caricatures that were fashionable and acceptable in popular entertainment of the era are numerous. Because of the way people were depicted and in spite of any artistic merits the film may contain it has not been fully released for the home audience in the intervening decades and only appears in the United States in heavily edited versions.

One of the more popular sequences was The Tar Baby, a tale in which the character of Brer Rabbit escapes from predators using reverse-psychology. For the uninitiated and anyone who grew up outside of the South after 1970 the term "Tar Baby" is a pejorative in relation to African-Americans. As a child in the late 60s watching this film in the drive-in I had no idea that the sticky trap represented anything other than what it appeared to be. In the Disney universe of walking, talking intelligent animals I didn't see anything unusual with Brer Rabbit engaging an inanimate object in conversation and expecting a reply. It is unlikely that the creators and audiences of the 40s thought the same and knew exactly what the sticky trap was supposed to represent, which is only one of the reasons the film was eventually pulled from syndication.

The marketing and exposure for some some sequences continued unabated. Stripped away from negative associations the fun and bouncy song Zip-A-Dee-Doo-Dah has regularly appeared in music collections and on various video releases since it was originally issued. Yet the mistakes of the past had a way of repeating into more contemporary times in spite of the decisions to suppress the less enlightened and insulting aspects of the film.

In 1958 Walt Disney's Silly Symphonies #8, under the Dell imprint, published a recipe for a "Tar Baby" treat as a one page fun feature. The snack, which kids could make at home or (I shudder to think) school, was a marshmallow creation covered with dark chocolate that resembles the sticky trap that Brer Rabbit ran afoul of in the Song of the South feature. In 1946 sheer ignorance and marketing inertia could explain the promotion of stereotyped caricatures of African-Americans though it would have been a little harder to justify in 1958. It could only have been utter stupidity when the decision was made to include the one-page recipe feature and reprint it in 1975 in Walt Disney's Showcase #28. By the 1970s everyone involved should have known better.

In the interest of parity I changed the recipe to make it more representative of the contemporary South and included it in this post, which you can click on to make double-wide size for easy viewing. For those who prefer the "warts and all" approach to history the original can be viewed here.

Note for people with IQ equal to their shoe size: Original recipe for educational purposes only. Please do not print out and share with your Cousin-Spouses, pals in the unemployment line or distribute at Sunday school gatherings.