Friday, June 29, 2007

What sort of man reads Pulps?

This comic book advertisement from Movie Comics #1 (December 1946) complete with smoking jacket-wearing Hef could be the spiritual precursor to the classic 'What sort of man reads Playboy' print ads that would appear in the adult magazine Playboy several years later.

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Luckily, there was a boy nearby

Chicks are pretty much useless in a crisis, aren't they?

No, he didn't use the branch to silence her annoying screeching.

From New Heroic Comics #94 (
December 1954).

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Thursday, June 28, 2007

Thursday Night Thought

(THOUGHT)

One of the advantages of having an advanced Kryptonian super-brain is that with a simple mental command, Clark Kent can switch from speaking about a subject to merely thinking about it! Truly, Superman is the Man of Tomorrow!

From Action Comics #158 (July 1951).

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How to make a blogger cry

From Superman #53 (July-August 1948).

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Wednesday, June 27, 2007

Some days

The Sleester just feels like Ol' Gil from the Simpsons.

Or Charlie Brown.

Used...

And abused.

In spite of the drama...

Things are looking up.

It just takes time.

Life is an odd journey but I am comforted by the fact that
no matter what happens, I'll always have Hayley.


What the..? This post looks suspiciously like self-indulgent blogger self-pity! That's crap! I hate when bloggers do that! Things are going good, so I guess this proves I shouldn't post when I'm exhausted from work and feeling flu-ish.

How to lighten this page up? I know! A photoshopped picture of a cat with humorous text! That always works!

Introducing...
LOTLCATS
!

Yes, Land of the Lost Cats! Just when you though the hilarious cat + text meme fad was over-exposed, dead and hanging on by zombie claws, along comes a guy like me to inject new life into an old and worn concept. The merging of funny kitties and the spectacular Sid & Marty Krofft series The Land of the Lost was inevitable and long over due. Go ahead and LOL, you are welcome.

More to come!

Saturday, June 23, 2007

Clearing out the "Pending" folder

You'd never see Lois Lane being such a jerk. There's aggressiveness in chasing down a lead for a news story and and then there is being just plain obnoxious and insulting. Great stand-alone panel from the Golden Age of comics, though.
Four Favorites #8 - Sensitive reporter
From Four Favorites #8 (December 1942).

Do modern comic book fans realize that without the superior coloring techniques of today's creative teams that much of the art published in current magazines would get a high school kid a failing grade in art class? Imagine this art as black and white reprints in a trade collection.
Cable & Deadpool #41 - High school art class
From Cable & Deadpool #41 (August 2007).

Comic book puzzle from Teen Beat. I think it's a rock star.
Teen Beat #1 - Puzzle
From Teen Beat #1 (November-December 1967).

This one is pretty much for Dr. Zaius to play with.
The Man From U.N.C.L.E.
From the Whitman Big Little Book, The Calcutta Affair (1967).

How this scene would have played if I wrote the Phantom.
Ace Comics #116 - Phantom
From Ace Comics #116 (November 1946). Original here.

Just because it is the greatest Ditko panel ever.
Greatest Ditko panel ever

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CILF

Dang, Little Archie's mom is HOT!

"...And stop wasting the whipped cream! I'm going to...er...use it tonight after you go on your trip."

How did Archie's 60 year old shlub of a Dad land such a young babe? He must have originally purchased her from some Walton Mountain family and keeps her locked in the basement in between sessions of drugging and hypnotism so she can't run away.

From Little Archie #12 (1961).

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Friday, June 22, 2007

Burn, Butler, Burn!

Little Archie rescues Little Veronica from the family butler who kidnapped her for ransom by lighting him on fire and throwing the villain down a flight of stairs.
The cartoonish figures of Archie and Veronica are an odd contrast to the far more realistic depictions of the dungeon setting and the plummeting butler.

From Little Archie #12 (1961).

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Friday Catblogging: ART AZ A THRET

While riding the bus a few weeks ago to and from work I noticed the phrase ART AS A THREAT spray-painted in a few places by the college. Oh, those edgy college kids with their local band stickers and graffiti stencils, out to educamate the world. It's so cute. Like a baby's first steps across the living room.

Yeah, once they realize they will starve and die by maintaining their principles they sell out eventually. It'll be years before they realize they have become just like their parents when they walk by that homeless guy without giving him a quarter. It's amusing to see them in later years decline to sign a ballot measure petition because it means they might have to re-register to vote and then be called to serve jury duty later.

I thought it would be interesting to take the message symbolizing their generational angst and pretentious dissatisfaction of a pop-culture they secretly embrace and co-opt it by making it cute, fluffy and Hallmark store marketable.

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Bear-Zapping!

Because you demanded it, more Bear-Zapping!

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Thursday, June 21, 2007

Cool Golden Age Page of the Day: ELEPHANT-MOUNTED MACHINE GUN!!!!!!!

From the splash page of The Fighting Yank #12 (June 1945) comes this awesome image of the Fighting Yank gleefully destroying America's stereotyped enemy soldiers by using an ELEPHANT-MOUNTED MACHINE GUN!!!!!!!
An ELEPHANT-MOUNTED MACHINE GUN!!!!!!! is almost as mind-plotzing as Cowboy Sahib! This image appears nowhere in the main story and makes me think it was originally intended to be a cover, but the scene may have been too violent for the news stands and the far more palatable art of the Yank kicking back in the Imperial Palace throne room was used instead. I thank the Comic Book Gods it was included for publication in the issue and therefore the awesomeness was preserved for eternity.

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Wednesday, June 20, 2007

Thank you, brave adventurer! You rescued me from savageness with your HUGE sword!

The good old days.

"The Birth of a Nation" was a positive selling point, Manifest Destiny was the 11th Commandment and psychotic fanaticism was called patriotism!

Image via Pulp of the Day.

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Tuesday, June 19, 2007

He means spelunking!

Some days I think I should just give up and use my LJ account and do nothing but post to scans_daily.

The out of context (kind of) panel is from the story "Gentle Brute" in Unknown Worlds #25 (August 1963). Both the story and the comic is just so appropriately named, isn't it? I mean, you know the editors and staff were sitting around a table pointing to the finished art and giggling like schoolboys. Check out the guy's leering expression. I'm a big believer in the idea that the creative teams of comic books chafed under the Comics Code Authority and often took the opportunity to slip gags and situations past the censorship panel that only mature readers would catch for what they really were.

Cover bonus: Bear zapping!
A bear getting zapped on a comic book cover is almost as cool as evil monkeys.

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Cool Golden Age Page of the Day: Out of nowhere -- THE EAGLE!

The Eagle versus the Beast, the bad guy with a crowbar for a hand! Now that's a fight scene! Plus, "Helga Vegas" is very nearly the best name ever for a villainess.This page features something that can only be found in comics. No, not a muscular shirtless hero in the company of a young sidekick who wears school boy's gym clothes! In the final battle, the Eagle leaps from the second story of a building and lands with both feet onto the villains' s face...and the bad guy lives! In fact, he he keeps on fighting until the Eagle smashes him in the face with an anvil!

Cool Page from Weird Comics #15 (June 1941).

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Monday, June 18, 2007

Sleestak reviews: Rise of the Silver Surfer

A friend told me to bring along a cat with me to the theater when I went to see the Fantastic Four: Rise of the Silver Surfer movie, because the urge to kill something out of fanboy rage might possibly turn upon myself if a victim was not otherwise readily available.

While I didn't think it was that bad I have to agree with most reviews of the film:

- The sequel was better than the first, which isn't saying much.
- It's a fine 90-minute babysitter for eight year olds.
- The CGI was pretty good.
- The FF mostly stood around or ran away.
- The FF and Doom were the Eddie Murphy to the Silver Surfer's Golden Child.
- The film is almost good (a la' any Golan & Globus production).

I often gauge a science fiction or effects-driven film by how much story remains after the special effects are removed. The measuring stick I use for is Raiders of the Lost Ark. Story wise, Raiders has more plot and characterization crammed into 2 hours than most trilogies. Even mentally subtracting the F/X leaves you with a movie that is full and entertaining. Not so the Fantastic Four.

FF: RotSS
is typical of Hollywood productions of late, a thin story that won't confuse too many people and a few neat-o CGI effects thrown that someone much smarter and with far more wit and talent than the committee that produced the film could envision. FF: RotSS joins other films like Ghost Rider in being a shallow series of vignettes connected by a loose plot designed to sell toys and video games and justify the product placement licensing opportunities.

As a guy, I have to comment on Jessica Alba as Sue Storm. Wig and contact lenses aside, she is becoming more attractive as she ages and it is a pity that she does not posses a greater acting talent. As Alba matures she is probably destined to become the next Terri Hatcher, someone who is pretty enough for television dramas and Lifetime Channel movies but not much of a challenge for the viewer.

I also did not mind the V'ger-ish Galacti-smog as much as some fans, though I can't believe a scene like this one from Thor #167 (August 1969) would not have worked in the right context. If not even Vince Colletta were able to ruin this scene, then Hollywood couldn't.
The hint of the face of Galactus at the center of the cloud in the film was enough for me, but I would have liked to have seen the Surfer emerge from the cloud into the calm eye of the cosmic storm, confronting Galactus as it stands stands on the world ship operating Kirbyesque machines. The film makers could have even thrown in the "Galactus appears as whatever the observer can accept it to be" thing and show differing representations of Galactus as the Surfer battles for the life of the Earth. One of them could have been the classic Kirby space-god. That would have been cool.

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Golden Age tentacle porn?

Are these examples of Golden Age tentacle porn?

Exciting Comics (March 1948).

Feature Comics (February 1945).

Nah. Sometimes an elephant's trunk is just an elephant's trunk, even if it is attacking a distressed, scantily-clad female wearing a strategically torn bathing suit and a guy in his underwear.

Lest we forget in all the rightful H4H argle-bargle that tentacle porn did not originate in Japan. It actually has its beginnings in American pulp science fiction and became widely prevalent in the Spa Fon era of 1950s comic books.
That isn't to say that the popular Japanese media didn't import the concept and make it their very own in ways to numerous and horrible to contemplate, but the American mainstream comic books didn't take the idea past the occasional Freudian image.

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Sunday, June 17, 2007

Happy Father's Day!

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Saturday, June 16, 2007

Comic Book PSA: Cold War humor from Henry Boltinoff

Gosh! Cutesy cartoons about the nuclear annihilation of mankind are so darn funny! Any child living in the atomic age who read this Professor Eureka page-filler tale from Showcase #12 (January-February 1958) must have been splitting his sides with laughter. This installment of the Prof. Eureka strip is just so Atomic Cafe.

The strip is quite a bit less humorous in contemporary times given the high rate of behind-the-scenes corporate involvement in war and corrupt shenanigans we have in the battle field of today. Not to say it didn't happen in the past, but the American mind-set was a bit different then and the military-industrial complex was the basis of most country's economies. To paraphrase Hank Ford, what was good for war was good for America.


Detonate each page for a huge explosion
Even in the context of the strip I have a hard time buying into the notion that the Prof's spectacular weapon of mass destruction is subject to budget cuts so severe that he was forced to seek corporate sponsorship to build his nuclear bombs. I have the impression that the strip is more Boltinoff being rebellious against the status quo and stealthily educating readers through subtext.

If the professor was a DC Comics villain he'd threaten to bomb a country for ransom, requiring the JLA to step in and halt his mad revenge scheme. But in an all-ages kiddie comic of the 50s he merely struck a marketing deal. Call me cynical, but I sure wouldn't put it past a company to whole-heartedly embrace the notion that they could gain market share through promoting an atomic holocaust. The plot device of the spurned mad scientist seeking revenge against the government or company that failed to recognize their unique genius was often used in popular entertainment, but would not be explored fully and used ad nauseum until the books of the 70s and 80s, when work-for-hire creators took monthly jabs at their employers via their comic book output.

I imagine that even now somewhere there is licensing executive sitting in an office praying for the day their company can put a corporate logo on a weapon of mass destruction similar to the decals on a NASCAR racer or as an advertisement on a soldiers' body armor. It is already in the public consciousness that the bumper-sticker sentiment of "This war brought to you by [insert company name here]" is a truism.

Comic books usually follow the public zeitgeist in whatever era they are published. While the creators may have differing ideas and often fight the system from within, the companies themselves are notorious for having editorial policies that fall in line with the prevailing public or official view of things. Golden Age comics of the 1940s were sheer propaganda and little more than an unofficial branch of the War Department due to their desire to reach an audience and stay solvent in a failing pulp and magazine market. The Silver Age of the late 1950s and into the 1960s was all about the wonders of science and the benefits of nuclear energy. That naive sense of Golly-Gee lasted until education about both the Cold and Korean wars made people nervous. The Vietnam conflict was all but ignored in comic books of the late 60s and 70s because the main audience for the books, young adults in college, knew propaganda when they saw it and wanted no part of it. When Vietnam was mentioned at all it was in the context of another war or as a part of a life-changing moment in a character's life when they saw how wrong they were about armed conflict, Tony Stark being one example. For the most part the ultimate American authority symbol of Captain America awkwardly avoided the Vietnam era due in part to the perception that Cap would not be fighting an evil force such as the Nazis or fascism, but instead would be battling women and child-soldiers.

Comics of that era, Marvel particularly, walked a fine line between the liberal consciousness of their audience and the old way of telling a story. It was especially problematic that all of their characters had origins based deeply in the military-industrial complex. While Barry Allen of the Flash comics was a de-facto authority figure in his career as a police scientist, a reader never actually saw him do any actual police work, plus he was a lab-rat so it didn't count that he was a cop. Hal Jordan of Green Lantern was a test pilot and not really an active soldier any longer. While he was part of a space police force, Hal Jordan was often at odds with the way his alien bosses, the Guardians, accomplished their goals. Hal Jordan often got the the job done in his own way by breaking the rules the Guardians had set forth for standards of conduct.

But in the Marvel comics the characters had strong ties to the government and the military, all the things the audience of the 60s and 70s abhorred. So the creators took great pains to make the characters relevant to the readers by making them rebellious authority figures. Bruce Banner created atomic bombs for the military and was thus turned into a Hulk who was then forever at odds with the culture that created him. Tony Stark of the Iron Man series gave up the manufacture of munitions and turned to peaceful efforts, which made him even more powerful and wealthy.

One thing to remember is that the Professor Eureka strip was written by Henry Boltinoff, who often seems to insert a subtle message into most of his gags, particularly those not only of Prof. Eureka but Peter Puptent as well. I don't know anything about Boltinoff or his politics specifically, but he seems like quite the progressive. In reading his strips I find sexual liberation themes, anti-war and racial equality messages covertly inserted in strips that appear on the surface to be falling in line with the prevailing political and public sentiment of the times but are really the opposite. That he does it without preaching like an After-School Special reveals his cleverness.

Using atomic weaponry as a vehicle for advertising is a powerful image. The corporate-sponsored mushroom cloud is an allegory for Manifest Destiny. The image warns other cultures that they must accept Western influence and embrace Democracy and all that comes with it or else. The stealthy and subtle educational message for readers being that aggressively exporting ideologies can be as destructive as the army of an expansionist tyrant.

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Thursday, June 14, 2007

Jim Shooter in Love

From Girls' Love Stories #168 (April 1972).

That guy must be 8 feet tall! Cripes! I can't find one element in this panel where human anatomy or perspective resembles proper proportion in art. From banister to doorknob to the guy's tiny, tiny hands everything is wrong.

Bonus! Cover art features a rare cameo by the hip early 70s band Jesus and the Nazarenes totally rocking out!

Coming soon: Torn from the pages of romance comic books, inappropriate advice to the love-lorn!

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The Deus Ex Decimal System

One of the popular conceits about the Library of Alexandria is the perception that the unfortunately destroyed archives contained in the dusty scrolls the answers to mysteries that will never be solved and secrets lost to the ages.

Tony Stark gets all misty-eyed in Sub-Mariner #1 (August 2007).

But, really? Maybe in a comic book universe a lost scroll held the secrets of eternal youth and spells leading to other dimensions, but not in our reality. In the real world the Library of Alexandria was a repository of all the knowledge that civilization had recorded up to that point.

Now think about that for a moment.

How smart were people of the third century AD? Not very. Culturally, they were barely out of the stone age. Human life was cheap, fire scared them and they saw magic and ghosts everywhere and they thought flies were born out of mud puddles. For all the advances in plumbing and infrastructure the denizens of that era were pretty primitive. After all, how smart do you have to be to figure out that if you poop where you live then horrible disease will result? Even forest animals know to eliminate outside the den. The library was a good idea in concept but probably failed in practice. Knowledge wasn't that important to most people then. The pressures of daily life took precedence. People didn't need to go to the library to research when to plant corn, they knew that already and didn't have time for learning.

The destruction of the library was certainly a crime against humanity but the idea that it held all the answers to arcane mysteries is doubtful. What library would store for public or scholarly perusal the method for making Greek fire, gunpowder or changing base metals into ones more precious? If there were tomes in existence that were full of dangerous ideas then I really doubt the average scholar would have had access to any of them. Imagine some high school kids checking out the Name of God scroll as a laugh and speaking the creator's name backwards thus unmaking the universe. Scary thought.

As an experiment try gathering up the collected knowledge of any modern city today and any archivist would be appalled at the pile of incorrect entries to wade through to get to the facts. The main sources of information would come from the misinformed, stupid, well-meaning but wrong, misanthropic and those with skewed agendas. The royal library was probably full of questionable material. In content the Library of Alexandria was probably somewhat similar to many current on line resources with poorly-vetted or wrongly accepted information that is taken as a definitive source.

Did the Library of Alexandria hold the answers to the many secrets of the universe? No. But I bet it had a great section devoted to tasty dung beetle recipes.

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Wednesday, June 13, 2007

Sleestak reviews: New Avengers #31

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Dammit, Vinnie!

This poignant story of a young widow worried about the future welfare of her baby is made horribly tragic by the "erase everything and get the pages to the messenger by 3 pm" inking style of Vince Colletta. What should be a dramatic moment as the young widow reminisces about her late husband is instead transformed into a scene from a horror comic featuring a shut in and her mindless, zombie toddler.

From Young Love #80 (May-June 1970).

By removing the text, these panels could also be a long-lost deleted scene between Sue and Franklin, from that issue of Fantastic Four when Reed Richards turned off his son's brain with a ray gun.

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Tuesday, June 12, 2007

48

48 hours after the last cleaning this mass of fur, twigs, dog food and other debris is what I swept up out of just the living room.

Pets suck.

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Monday, June 11, 2007

MORE Comic Book Romances of Liberated Women

From Young Love #80 (May-June 1970) is another example of a love story featuring a liberated comic book woman. Liz is sexy, confident and capable until she meets her dream man. Then when he dismisses her in favor of his work she falls apart and goes totally psycho nutty insane as the fear she will live the remainder of her life without a father-figure as a husband consumes her.

Good thing for us guys that women don't behave like this in real life!

The story has the usual happy ending as Liz gets her man after Richard confesses his love instead of running screaming in the opposite direction. So long as Richard can keep slipping anti-psychotics into her food without Liz noticing then they will surely live happily ever after.

Of course, the above panel cries out like a Bronze Age comic book debutante stood up by the richest guy in town for the Sleestak comedy treatment!

Aww, who's got the cutest little daddy issues? You do! Yes, you!

Carole Danvers didn't handle very well losing her super powers that one time.

I'm so glad to be male. I will gladly put up with the occasional bout of impotence when I'm older than to have to go through the ordeal that gals have to deal with every month.

Suddenly, Zatanna pointed her hand at Liz and shouted, "ZIL POTS!"


As the world turns, these are the days of our sands through the hourglass...
The Love Doctor makes a house call.



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Grocery Store Artifact: PORN (Now that I have your attention...)

This shingle was attached to the newspaper racks around San Diego yesterday.

Is the local paper trying to bring to people's attention an article about the pervasiveness of pornography in popular culture and the media? I can't tell from the card display. Or, as the card suggests, is the Union-Tribune offering coupons good for over $699 in porn-savings?

If so, that's some pretty good porn discounts, right there.

The Union-Tribune has been aggressively pushing recently for subscriptions and the advertisement is probably a part of the campaign. As advertising designed to cause people to notice the brand it seemed to be kind of effective, at least from what I observed at work yesterday. Several times during the day I heard comments about the display and I saw a few people taking pictures of it with their cell phone cameras. Sadly, it's a juvenile sort of advertising and the kind of high school gimmick I'd expect from a place like Annapolis but not San Diego. Maybe the Union-Tribune out-sourced to a marketing agency from Maryland or something.

I've been on the fence about canceling the UT but hung in there because I receive my paper free of charge and I need something to protect the table for when I polish my shoes. But because of this campaign I think I'll cancel it anyways because the ad annoys me and is stupid.

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Sunday, June 10, 2007

Are you the type boys go for?

I scored a 27! How did you do?

My version of the test would be a lot shorter:

1) Are you hot?
2) Are you easy?

If you answered "Yes" to either question then YOU are the type boys go for!

From Heart Throbs #132 (June-July 1971).

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Saturday, June 09, 2007

Jonah Hex the SUPER WIZARD!

With issue #20 of the newest incarnation of Jonah Hex I have to admit the series is finally starting to grow on me. I have not been too thrilled with the the Palmiotti, Grey, et al version of Jonah Hex since it started because I like my characterization deep and Me Ling, but the recent Lady Hex story went a long way to changing my opinion. The idea of God's Wild West Revenge-Ninja was something that was okay when Clint Eastwood did it so long ago but I never cared for it in regards to the Hex character.

The most recent issue is still a bit shallow around the edges for my tastes as the story reads like a first draft was being published. I also found the art inconsistent, scratchy and hurried. For that one page it took me a second to realize Jonah wasn't picking up rocks to hurl at his tormentors but rather he was getting his hands stomped. And he punched out people with his mangled fingers? That makes sense for a guy who makes a living pulling triggers. Plus, what was up with the on-again/off-again bandages? My impression was that I was reading someone who copied the sparse style of the Whitman or Dell comics of the 1970s.

While it may not seem like it from the mini-review, I really am starting to like this Jonah Hex and that is mainly on the strength of the past six months worth of stories. I hope this isn't because any Jonah is better than no Jonah, if you get my drift.

That said, if I was writing Jonah Hex his adventures would be a little bit different than what readers might be used to.

Script and art by "Fleisher Hanks".

Gasp!

Go get 'em, Pard!

Look out, Jonah Hex the Super Wizard!

America is saved! Yay!

Question: How is that the most reviled concept ever in the Jonah Hex universe, when he traveled through time into the future, can be so cool when it was done in the Justice League cartoon? Weird.

Link: For some fine on-going reviews and summaries of Jonah Hex' entire career, hitch up your cayuse and mosey on over to Matching Dragoons.

Jonah Hex images from Jonah Hex #20 (August 2007). Stardust the Super Wizard panels by the insane master, Fletcher Hanks.

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Friday, June 08, 2007

Girl's Love Stories #152: Flying under the gaydar

These final panels from the six-part comic book soap opera "Confessions" are supposed to convey the reconciliation between two sisters who were feuding over men. But due to the text and the poses of the characters what is supposed to be a hug with a sibling really comes off as something pretty different altogether.
In reading the story one could easily ignore that the scheming, blond starlet and kind-hearted, black haired nurse were related. I came away from the stories with the impression that the pair could really be considered "sisters" only in the sense that they were both women and that by stating they were family DC Comics could keep the Comics Code Authority away.

At every turn Jewel sabotaged any budding romance between April and any possible suitor. Jewel later confessed that she interfered in her sister's relationships out of jealousy of April's potential happiness. In my mind that really signified that Jewel was worried that she would lose her chance forever to be with April if her "sister" went ahead and conformed to traditional standards of gender identity and sexuality. The final unnecessary and gratuitous expository panel immediately after the kissing scene only reinforces my impression that this story was ultimately about two women finding each other back before it was acceptable to have openly gay characters in pop-media.
From the appropriately named Girl's Love Stories #152 (July 1970).

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A question about the Spider-Man Loves Mary Jane comic

In the Marvel comic title Spider-Man Loves Mary Jane, when does the story arc begin when this version of Gwen Stacy gets knocked up by Norman Osborn and dropped off a bridge?

Just asking.

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Thursday, June 07, 2007

Love and the Single Girl

Romance comics had a hard time going in the 1960s and 1970s. As a useful plot device the dreams of a girl finding a husband and setting up home that populated the love titles of the previous two decades were now out of fashion. Now women had to be portrayed as liberated, sexy, confident and no longer defined by a man or the traditional roles of a homemaker and housekeeper. In the midst of a cultural revolution and with sales threatened by the theme of the books, comic companies were forced to portray modern, educated and strong liberated women who were not defined by their partners and traditional female roles.

However, the romance comics of the 1960s and 1970s became a bit schizophrenic, due in no small part to the old men who were the editors. They tried to make the stories contemporary to the times but usually failed, unable or unwilling to tell a story that was different from what they were used to in their experience and also partly because of the Comics Code Authority, which was slow to embrace changes like the graphic depictions of bra-burning and Jane Fonda-like characters having orgies.

The young ladies of the Bronze Age romance comics were definitely liberated but it was a superficial sort of surrender to popular culture and feminism. While the women were no longer living at home, were out on their own in the big city, earning a living, dressed in "happening" fashions and were active sexually (never stated but the subtext was there), the idea of what constituted a liberated woman in the comics of the time was still very mired in the stories of the 1950s. More often than not the heart-sick young woman searching for love was a secretary, maid or nurse. They were usually confined in the story to supporting or 2nd tier jobs while mooning over the handsome doctor or professional man that callously ignored them. Rarely was the woman considered an equal in the setting where the drama took place and while there were usually a few nods to feminism and equality the sentiment was only panel deep.

A typical example of a liberated female romance story of the time can be seen in the Marvel Comics title My Love #20 (July 1974) in the story "The Boy Who Can't Be Mine!".

My Love #29 - Splash page

The end of romance comics was in sight by the time this issue hit the stands. If the company repackaged as new a story from another book from barely two years before then it is clear the publisher is saving some cash and not really supporting the genre. Romance comics limped along a few more years before they finally withered and died, unlike love, which lasts forever.

The featured story is about a secretary named June. She is considered to be a little more than office furniture to her hip boss, the high-powered book and art agent Bradley Grey. Bradley is hardly the boy the story title and June claim he is and craves excitement and stimulation. Busy being awesome, Brad does not even notice that June is alive, which makes her sad and depressed and feel worthless.

My Love #29 - bath scene

June has such poor self esteem from Brad's failure to notice her that she does not remember that she is incredibly hot as this bathtub scene from the book reveals. Maybe that turtle-neck sweater Brad is always wearing is too tight and is restricting the flow of blood to his brain or something. It was a common feature of nearly every romance comic book story that the troubled girl is featured in some manner of sexy scene in the story somewhere. Often the women were portrayed changing clothes or lounging around in their lingerie. Not even go-to guy romance comic inker Vince Colletta could spoil some of those. He inked a majority of romance titles and apparently liked scantily clad women as he seemed to spend a little more time on their figures than he did for the backgrounds and other art.

As usual in these stories and much like every similar story of the past three decades, June is portrayed as obsessed with her unrequited love interest. Also much like every other romance book this includes the heroine having a gratuitous, feverish, naughty, dirty, filthy, nasty, hot hot hot, exciting sex dream sequence when they fitfully drop off to sleep.

My Love #29 - Naughty dream

Since attractiveness and being highly competent at her job fails to make an impression on Brad, June then resorts to the time-honored and most effective way to trap a man into marriage: BEING JUST LIKE THEIR MOTHERS!

My Love #29 - Being domestic

It is only when June plays house and steps into the traditional domestic role of his mommy that Brad finally notices her and realizes he is in love. Actually, he noticed her "talent" whatever that may be. I could guess, though, and I would bet it has to do with with something really Freudian and icky.

My Love #29 - True love. Now make me a sammich!

If this was a 1950s romance comic June would be shown in an apron preparing dinner in the final scene while her husband read the paper and smoked a pipe in the background. Since this story was published in the 1970s the promise of marriage is only hinted at. But for the young female reader a permanent relationship was certainly implied since it was "true love" which everyone knows lasts eternally. The bonus about this era's form of the liberated female romance story is that for a male reader who secretly reads his sister's copy of the book the marriage-ambiguous endings hinted at hot no-strings sex while at the same time it gave them a few nicely crafted drawings of women in their underwear.

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Must...Think!

An angry Radea turned evil thinks about Captain Comet, who in turn thinks about her.

Worlds Finest #204 - Mental fight

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Wednesday, June 06, 2007

The not-so-mundane Phantom Stranger

In the early appearances of the Phantom Stranger the character was not so much mystical as a private detective. The Phantom Stranger investigated crimes that appeared to have a supernatural origin but were actually perpetrated by con artists. He was a free-lance ghost-buster with plots and stories that were much like those much later seen in the Scooby-Doo cartoons. The Stranger and the Scooby Gang shared similar themes in which someone would dress as a monster or ghost to frighten away people from a circus or resort so an unscrupulous business man could buy it cheaply or to swindle people out of money.

At the end of each adventure after the Phantom Stranger had solved the crime the players would suddenly notice that the Stranger had mysteriously vanished. While the impression was that the Stranger had magically dismissed himself there was always an "out" in the scene to allow the comic book company to claim in the event of complaints or Comics Code censorship that it was not accomplished by magic.

Look down the hallway, Lorna!

There was always an open door, exit sign, shadow or familiar figure in the crowd in the background whenever the incidental players noticed the Stranger had "suddenly" disapeared from the scene. The Comics Code Authority of the day did not allow for magic to be represented as "real" in any form. Any monsters, demons and such that appeared had to be explained away as trickery or had an origin in the science fiction genre. The gimmick that it was humans in costumes, drug-induced hallucinations or alien beings were the usual explanation for the monsters and unusual events.

It is in the last issue of the 6-issue run of the Phantom Stranger's original series where the mundane explanations behind the adventures starts to break down a bit. In the story Horror In Miniature, Phantom Stranger #6 (v1, June-July 1953), a mining town is plagued by elves that vandalize equipment and attack the workers. The Phantom Stranger becomes involved and with the aid of one of the workers defeats the elves and drives them away. What is different about this story is that the culprits were not revealed to be using trickery or by being midgets in fanciful costumes. At the end of the tale the "elves" confessed to being mutated humans from the far future who had come back in time to take over the earth.

Phantom Stranger #6 (v1, June-July 1953)

The art and story has many references to the mythological and it is my impression that the climax of the story may have been tweaked. It may be that the story was about legendary elves but in order to avoid Comics Code problems the creators had the invaders claim to being time travelers and not mystical creatures. The mining town was their entrance point into 1953 and the advance scout "elves" sought to destroy the iron works because it was deadly to them, as iron was to the faerie of legend. It is an explanation that is closer to science fiction than magic, but the overall impression is that it was intended that the Stranger was fighting legendary elves, particularly by the reference to iron being deadly to the touch. In all the other stories the Phantom Stranger revealed the villains in the end to be clever thieves and petty crooks.

More proof that the creators were weary of the rational resolution to the stories is seen at the end of this tale. As usual the Phantom Stranger does his mysterious exit thing from the scene, but with a difference. The difference being that is this instance the Stranger (wearing full medieval armor by the way), disappears from a wide opened area when the other protagonist of the story glances away for a moment. The creators did not leave a convenient way for the Phantom Stranger to have vanished from the field unless it was by some manner other than natural.

The next time the Stranger would appear in his own series he was acting as a fully empowered mystic who easily hopped dimensions, fought demons and monsters, conversed with gods and fired spells that burst like fireworks. In a change of tone from the 1950 series, any other-worldly creatures that were exposed to have been con men usually met a grisly, ironic death by supernatural means or the Stranger narrated a tale where 'fate' inevitably caused a suitable revenge to befall an evil-doer.

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Tuesday, June 05, 2007

Cool Golden Age Page of the Day: My wife, I think I'll keep her!

I think the new Mrs. So Long Copper has been kidnapped twice.

From Gang Busters #2
(Feb-March 1948).

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Being Pat Boone? That's a spankin'!

The image is scary enough with all the horrifying scene elements, but read the accompanying biographical text for an added dose of childhood trauma.

From Pat Boone #1 (DC Comics, Sept-Oct 1959).
"Deserved" beatings with a leather, square-edged machine belt?

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Monday, June 04, 2007

His magnetically-attracted what?

From Tales of Suspense #59 (November 1964).

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Six of one, half a dozen of the other?

I don't usually respond to the few troll-attempts I receive but in a response today to this 9/22/2005 post about a teen-age Robin being propositioned by an adult, a commenter confirmed exactly why comic book publishers continue to pander to the baser instincts of fans.

Generation Y said...

That was pathetic.You mean when you were underage, you never thought about being about women over 18? How did you bring tentacle rape into this? Man you 40 yr old fans suck.You should have been drafted.

Neat-o.
  • The concept the commenter doesn't seem to grasp, and I sincerely hope he does before he finds himself in a pair of handcuffs, is that sexual advances or sexual activity by a legal adult between someone who is not of the age of consent is wrong. I don't care what they do on Walton Mountain or in India or even back in the year 1625. An adult has a power over a younger person. It is predatory, illegal, immoral and unethical. Period.
  • Yes, of course when I was a teen-ager I often thought about the gender I had a preference for in sexual terms. But thinking about and actually being molested by a 21 year old, wiser and experienced adult if when 16 are very, very, very different acts. No, I have not been molested nor do I know anyone who has been. I'm not a super-hero with a tragic back story. I know the difference between right and wrong. By your statement you are equating fantasizing with doing. It is alarming that those two blend together in your mind.
  • The 'tentacle rape' comments in the post come from my referring to the trend in American comics to bring over to this industry concepts from popular Japanese strips that routinely depict sexual violence, rapes with foreign/alien/human objects and under-aged relationships. The recent Heroes for Hire cover being an example.
  • I don't understand the 'drafted' part. You mean, I should have been drafted into a war and possibly killed in combat? Drafted into a bizarre sex cult so I would have a different outlook on the concepts of right and wrong? Help me out here.
Comic book publishers appear pretty savvy about how best to depict their male and female characters to leverage sales and gain publicity. The critic's perception of comic books is that the percentage of the fan base that will buy a comic based solely on the rape and bondage elements of the cover is not great enough to support the book. I wonder if that is true. If Generation Y is a typical young fan then the art for H4H #13 makes a lot more sense. Publishers must feel confident that while the a vocal number of readers are turned off by exploitative scenes the purchasing power of those fans that embrace it, even as a small percentage, are enough to keep a title afloat long enough for their purposes, whatever that may be. It is possible that the mature reader who wants some depth to a comic book may not be much of an actual consideration as a target audience. It may be a case of "six of one, half a dozen of the other."

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Saturday, June 02, 2007

Who Does Cheryl Love?

Dr. Zaius of the Zaius Nation fancies himself a rival for Cheryl's affections!

Foolish, damned dirty Ape!

Don't you know that women prefer the smooth bare chest of a lizard-bug with the muscular structure of the rock star Sting (circa 1986) over the musky, damp pelt of a fur bearing animal? Okay, so you are a Doctor (Lah-de-dah, lookit me! I lobotomize astronauts!) and I work middle-management retail, but the fact is that true love always prevails! While I've found the babes usually only truly love Jaguars, plenty of jewelry and summer vacation homes, I date only non-threatening, emotionally crippled females like Bronze Age Cheryl. Careful selection allows me to defeat the Doctor's superior Cash-Fu using only my natural charm. And lies.

This isn't a meme but is a follow up to one, because this is the second time the good Doctor sent me a photo, which is much appreciated! The original cover of Girl's Love #146 that I Slee'd up was snagged from the always helpful GCD. The Doctor got the image after I finished with it from over here. It was an unintended team effort, but those are the best kind!

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Comic Book PSA: Psychological Warfare?

Let's skip the panel of the drug-addicted Army nurse pretending to administer an anesthetic to the injured soldier on the gurney while actually injecting herself in the hand and look at the panel with the titled date of May 5, 1942. This representation of the military insignia of the Military District of Washington from World War Two would give anyone the willies. Or rather...Does the patch give one the impression of willies being taken away?

From Our Army at War #104 (March 1961).

Was the symbolism of a sword set against the background of the Washington Monument a simple image of American strength and unity? Or was it a subtle, clever message to any enemy planning to attack Washington, DC that they will suffer a horrible, emasculating fate for their effort?

Let me just confirm that my soldier isn't going to DC anytime soon.

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Friday, June 01, 2007

I got it just for this panel

It's like an internet meme in comic book form!

Slightly photoshopped from Intergalactic #1 (2007).

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Grocery Store Artifact: Not passive-agressive, just aggressive

I previously worked at a place where due to the slobs wrecking the break room the privilege of tables, couch, refrigerator, microwave and everything else was revoked. Basically the employees had access to a water fountain to get a drink and had to plastic classroom chairs to sit on. It sucked that so many people would eat and then just leave stuff on the table that we were forced to take away the amenities.

I'm not the sort that leaves polite notes in the break room to keep the microwave clean an dispose of your trash. My style is from the old school of management: "KEEP IT CLEAN OR I TAKE IT AWAY." In a heartbeat I will take away the microwave, put a lock on the refrigerator and put away all the other toys that make life bearable.

I hate coming in and spending precious minutes of my lunch (which will inevitably be interrupted) cleaning up after adults who abandon a table top full of used microwaveable trays, spilled drinks and wrappers. I dislike prying my lunch bag from the sticky shelf in the refrigerator it has adhered to. I do not want to have to forcibly peel the bag off a shelf like it was a naked, dead fat guy in a vinyl chair on a hot day. Yesterday, I came across this in a cabinet:

Furry, green beef jerky. Ugh.

So I decided to spend some time cleaning up a bit. Which by "cleaning" I mean opening cabinets and dumping entire shelves of old food, moldy cake, half full bottles of vitamin-enriched water and other items into the garbage. If it was edible (or formerly edible) and I saw it was there over a period of two days it was in the garbage. It was a break room holocaust.

While I was cleaning an employee came in, saw what I was doing and asked "Do you, like, do this at home?"

Clean? Yes, occasionally I like to sit on non-gritty couches and eat off plates that do not have bits of old food encrusted on them. Spoiled food will quickly make rotten other foods, a waste of precious money and time. I also shower. I moved out from home a long time ago and Mommy does not clean up after me any longer. That's why I got married.

FYI: Dirt destroys things. It is entropy. Things do not improve with age or use. They break down. The break room will not hold. Want to know why the Government still has in service vehicles and equipment from the 1950s? Because every time they are used in the field they get cleaned and maintained. If I spend $800 on a clothes dryer you can bet your bippy I will clean the lint trap before every load.

I'm not fussy or a Felix Unger. I just don't want to sit down for a meal at work and have threads of a sticky something trailing from the bottom of my coffee cup when I pick it up from the table.

Some people complained about the break room being cleaned.
"I put a soda in there last Thursday and now it's gone."
  • Oh, you mean the uncovered fountain drink with the straw in it I looked at every day for six days? Yeah, I threw it out. The cup was soaked through and was leaking all over the shelf and dripping down onto other stuff.
"Hey! My sammich is gone! Some [expletive deleted] stole it!"
  • No. The dark threads of mold spreading out from the thumb print in the center of the slice of bread bothered me so I threw it in the garbage.
"Did you throw out my Doritos?"
  • I don't know. Which one of the eight bags containing crushed Doritos powder in the refrigerator was yours?
"Where is all my Tupperware/insulated lunch bags/non-spill travel cups?"
  • In the sink or in plastic bags. Take them home by tomorrow because if you don't, when I leave at end of my shift tomorrow I will be throwing all of them into the trash.
"I was going to eat those tamales, man."
  • No, you were in fact not going to eat them. From the date on the receipt, I saw that the three uncovered Tamales were put in the freezer in late April. It is the end of June. They were freezer-burned. They had ice cream spilled on them. Into the trash they went.
Makes me wonder what some living spaces look like.

One thing I look for in cleaning up a break room is financial opportunity. Not lost wallets or forgotten purses, mind you. I don't roll like that. For instance, I keep my eyes peeled for that moldy sandwich with an image of the Virgin Mary/Michelle Pfeiffer on it. I'll sell that in an on line auction in a second! Cha-ching!

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